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There’s a slight overcast at the Port of Houston, one of the United States’ busiest seaports. An air of anticipation rides the gentle breeze wafting from the large, ocean-going vessels coming into the ship channel, loaded with imported and exported goods. But as enormous as the barges are, they pale in stature compared to the city’s most recognizable sports superstar,
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.
The six-time All-Star is on site running between stacked shipping containers to help promote adidas’ “RUN THE GAME” campaign and its launch of the AlphaBOUNCE Beyond—a shoe designed to celebrate athletes who use running as a tool to dominate their sport.
Although the Houston Rockets’ guard has his own signature shoe, he incorporates the engineered mesh and the BOUNCE midsole of the
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, which has allowed him to use running as a training tool, in the multi-directional agility training this past summer that transformed him into this season’s top candidate for League MVP.
There’s always been something a little jostling and otherworldly about the way Harden plays basketball. Already a supremely gifted ballhandler, he’s taken his game up several notches in his ninth year in the Association. He’s breaking ankles with his elusive footwork, driving the lane as if it were his own private runway and capitalizing on those luscious, highlight reel worthy stepbacks to the tune of a League-leading 249 made three-pointers and 30.7 points per game.
JAMES HARDEN. This is legendary. (via @HoustonRockets ) pic.twitter.com/KVo9iIlqtE
— SLAM Magazine (@SLAMonline) March 1, 2018
By adding the AlphaBOUNCE to his training regimen, Harden has put the exclamation point on the way he knifes through the creases and seams of the defense; stopping and accelerating joltingly and quickly, like the poetic embodiment of iambic pentameter. All this and he’s also been able to use the silhouette to pad his competitive edge, play the game of basketball at his own pace and virtually dominate his defenders.
“Athletes want to be the best at their specific sport and they understand that running is a key factor in obtaining their goals,” says Andy Barr, Product Category Director for adidas Running. “Adidas have worked with a range of vertical athletes – those who compete in sports such as soccer, football, basketball, baseball, field hockey, tennis and boxing – as well as versatile athletes – those who are cultural leaders in dance and modeling – to develop a running shoe that will give them the edge over their competition, making them the best on the court, field or pitch.”
SLAM caught up with the Beard after his photoshoot to talk about the Rockets and the training that has helped him become the most dangerous offensive threat on the planet.
10:33 AM PDT 8/25/2014 by Jordan Mintzer
An intimate metaphysical drama depicting the traumas of war and emigration, and how they ricochet within France’s own borders, Sarah Leonor ’s () marks an assured sophomore effort following the director’s well-received debut, (which starred the late Guillaume Depardieu ). Reminiscent of Claire Denis ’s with its stylistic flourishes and hardworking French Legionnaires, as well as of Michael Haneke ’s with its splintered portrait of illegal aliens scraping by in the big city, this small but potent feature should see continued fest play following a premiere in Toronto’s Discovery section. Brave distributors will take notice.
Divided into chapters whose titles denote the shifting identities of the film’s three main characters, the story begins in Afghanistan, where Legion soldiers Markov (newcomer Surho Sugaipov ) and Hamilton ( Jeremie Renier ) head out on an improvised mission to hunt for a leopard they saw the night before. When the latter gets shot in an ambush, Markov saves his buddy's life but gets reprimanded for it. Upon returning to France, he’s given a choice: either sign up for another three years or be dishonorably discharged without obtaining French nationality. (Many Legionnaires are foreigners who enlist in exchange for future citizenship.)
Markov opts to stay in Paris as an undocumented immigrant, tracking down his 10-year-old boy, Khadji ( Ramzan Idiev ), who he hasn’t seen since debarking overseas. We soon learn that both father and son are Chechnyan refugees forced to flee their homeland during the war, and that their livelihood depended upon Markov (whose real name is Mourad) getting papers for the family.
While such details help fuel a scenario (co-written by Leonor and Emmanuelle Jacob ) that raises questions about international conflicts and their effect on national identity — especially in a country like France that can harshly crack down on illegals ( including schoolchildren ) — the power of lies less in the writing than in the filmmaking. With an acute style marked by lengthy tracking shots and crisp natural cinematography from Laurent Desmet (), Leonor manages to convey emotions through purely visual terms: The scene where Markov and Khadji are reunited during a lengthy ride is particularly effective in this regard, underlining each character’s longing and confusion through the use of shadow and light, but hardly any dialogue.
The well-calibrated performances, including impressive turns from Chechyan amateurs Sugaipov and Idiev, also go a long way in shaping this fragmented tale of men shattered by war and trying to piece their lives back together. Dardennes Bros. regular Renier, who’s grown into a mature talent after debuting in when he was only 15, convincingly portrays Hamilton as a twitchy PTSD survivor who learns to stand on solid ground through force of circumstances.
Although the narrative somewhat wanes in its third act as the tension fizzles out, is still an arresting work, combining substance and style in innovative ways. Backed by a transfixing score from Martin Wheeler (), it manages to feel both real and otherworldly at the same time, revealing the extraordinary obstacles faced by France’s anonymous underclass as they navigate a society that leaves them little room for maneuver.
Jordan Mintzer
[email protected]© 2018 The Hollywood Reporter All rights reserved.
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